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Entertainment
Mukesh G Reveals Handheld Secrets Behind Lokesh Kanagaraj’s Action Film
✍️ The Hollywood Reporter India
🗓 05 Sep 2026, 02:19 PM
👁 3
Cinematographer Mukesh G explains how Lokesh Kanagaraj’s latest action film was shot entirely on handheld cameras, breaking conventional rules of big‑budget action filmmaking.
Mukesh G, the director of photography for Lokesh Kanagaraj’s recent action feature, detailed the decision to rely exclusively on handheld cameras during a recent interview with The Hollywood Reporter India. The move, he said, was driven by a desire to capture a raw, kinetic energy that traditional static rigs could not provide.
By using lightweight, handheld rigs, the crew was able to follow the fast‑paced choreography of the film’s fight sequences in real time, creating a sense of immediacy that audiences have praised. The cinematographer noted that the handheld approach also allowed for quicker setup times, which was crucial given the film’s tight shooting schedule.
The technique was not without its challenges. Mukesh G highlighted the need for meticulous planning of camera paths and the use of stabilizing rigs to mitigate shakiness. He also mentioned that the crew employed a combination of high‑frame‑rate footage and post‑production stabilization to achieve a polished final look.
Industry insiders say the film’s success could inspire a shift toward more mobile cinematography in Indian action cinema, as the handheld style proves that high‑quality visuals can be achieved without the bulk of traditional equipment.
By using lightweight, handheld rigs, the crew was able to follow the fast‑paced choreography of the film’s fight sequences in real time, creating a sense of immediacy that audiences have praised. The cinematographer noted that the handheld approach also allowed for quicker setup times, which was crucial given the film’s tight shooting schedule.
The technique was not without its challenges. Mukesh G highlighted the need for meticulous planning of camera paths and the use of stabilizing rigs to mitigate shakiness. He also mentioned that the crew employed a combination of high‑frame‑rate footage and post‑production stabilization to achieve a polished final look.
Industry insiders say the film’s success could inspire a shift toward more mobile cinematography in Indian action cinema, as the handheld style proves that high‑quality visuals can be achieved without the bulk of traditional equipment.